SE POTESSI AVERE...

Patrick Trentini conductor / Giuliana Beberi vocal / alto, tenor saxes / Luca Merlini vocal 24 Bit / 96 kHz / 24 tracks Original Recording: Studio Magister Sala A on April 8, 9 - 2004 Preganziol, Treviso (Italy) "Se potessi avere" an orchestra of the 40s still playing today. Songs from our italian memories: Mille lire al mese, Parlami d'Amore Mariù, Ba Ba Baciami Piccina, Ma l'Amore No, La Strada nel Bosco and many others presented exactly like they were by Giuliana Beberi and Luca Merlini with the New Project Orchestra directed by Patrick Trentini.

IL CANTANTE AL MICROFONO - Eugenio Finardi | 45rpm - Double Vinyl

PRE-ORDER IL CANTANTE AL MICROFONO - 2025 - VYNIL EUGENIO FINARDI Double Vinyl 45 rpm Deluxe Limited Edition + File Master HD (numbered limited edition 300pz)   Returns in a new and definitive, spectacular, double vinyl edition at 45 rpm one of the great masterpieces of Italian music of recent years, limited to 300 copies, each with progressive numbering. The recording project Il Cantante Al Microfono bridges the gap between songwriting and contemporary classical music, starting with the great Russian actor, poet and singer-songwriter Vysotsky, who tragically died in 1980, who understood and sang the true soul of his people and was therefore severely opposed by the Soviet regime. His music accompanies with intriguing melodies, now with a Balkan flavor, now with oriental tones, now tracing ancient times of waltzes, the texts sharp and scratchy. From the corpus of his more than 500 songs, Eugenio Finardi and Filippo Del Corno have chosen a dozen titles strongly representative of the ethical, spiritual, political tension and corrosive irony that animates Vysotsky’s work. The songs, already translated into Italian by Sergio Secondiano Sacchi, were orchestrated for the instrumental ensemble Sentieri Selvaggi by Del Corno himself, in a version that highlights the highest poetic and musical quality of Vysotsky’s verses and allows the full deployment of the extraordinary interpretative power of Eugenio Finardi. It is in fact a long time that Finardi joins his activity as the protagonist of the Italian author rock an in-depth and rigorous vocal research work, which will leave those who do not know the path that led him from fado, to his beloved blues, right up to the contemporary classical. The graphics are very refined and curated by Convertino. A project that perfectly fits with the production line that Velut Luna has always proposed: originality in proposals artistically and technically of the highest quality. Eugenio Finardi voce Sentieri selvaggi : Paola Fre flauto Mirco Ghirardini clarinetto Paolo Pasqualin vibrafono Andrea Rebaudengo pianoforte Piercarlo Sacco violino Paola Perardi violoncello Carlo Boccadoro direzione Sergio Secondiano Sacchi traduzione italiana Filippo Del Corno orchestrazione L'opera ha vinto la Targa Tenco 2008, nella Sezione interpreti di canzoni non proprie   Live-In-Studio Analog Recording, mix and original mastering made at Magister Recording Area studio, Preganziol, Italy on December, 18 - 22, 2007 Analog re-mastering made at VLS Studio, Naquera, Spain, on November, 4, 2024 ANALOG RECORDING: RTR Soundcraft Saturn 24 tracks / 2" tape at 76cm/sec recording speed ANALOG MIX & MASTERING: RTR Studer A820, 2 tracks, using 1/4" tape at 38 cm/sec recording speed ANALOG RE-MASTERING: Maselec Analog Mastering Suite (MLA-2 / MEA-2 / MPL-2) to RTR Studer A810

30 ANNI FUORI TEMPO - AUDIOPHILE VINYL

30 ANNI FUORI TEMPO AUDIOPHILE VINYL - LIMITED EDITION CON FILE MASTER HD   THE METRONOMES: Francesco Michielin, voice, kazoo, chorus, "vocal trumpet" Carlo Piccoli, piano, chorus Stefano Fedato, drums, chorus PREZZO SCONTATO A 35€ PER LA PREVENDITA (Consegne previste dal 17 MARZO)   Now it is a wedding dress shop, but in 1994 the music roared in the legendary Bar Dolomiti of Conegliano. Francesco Michielin, Carlo Piccoli and Stefano Fedato still did not know that for the next six (six!) years they would step on the stages of the Italian music scene under the timeless name of Metronomes. Who, that evening thirty years ago, had the privilege of witnessing the birth of this group can boast of having witnessed an event of inestimable rarity and importance, equal perhaps only to the discovery of America or the passage of the comet Hale-Bopp. And in fact I boast, I boast. And while I boast, I insert into my old CD player their new album: "Trent'anni fuori tempo". After thirteen years of the release of the wonderful "Adamo, Let’s Swing!" , the Metronomes are back with this beautiful anthology of their record production from 1997 to the most recent times. Then, with the insertion of four new pieces, the album acquires new life and shows us how these eternal guys are good or bad remained the same as those who, thirty years ago, gathered at the Bar Dolomiti. Of them everything has been said and written. The story of their spectacular live performances moves on the tightline that separates reality from true legend. It is said, for example, that the singer, sumptuous vocalist with a goatee-like head as a horse - I saw him a few weeks ago dressing up in a wig and glasses while he was monkey-ing Elvis - is actually a very precise maniac of order. They say he keeps all the lyrics of the songs, written by himself, in ten huge volumes that he carries with him at the concerts. They also saw him assemble a complicated device called "portaspritz" without which he does not face the concert. They also say that the drummer, once playing As Time Goes By, gave such a speed to the swing rhythm that it made the chopsticks smoke (fortunately the innkeeper had the fire extinguisher and behind him a thorough training in safety in the event of fire). For him these years don’t seem to be past, he always shows thirty years old, has all his hair and not one white (the other two jealous metronomes say that he dyes them), but especially while playing at hell rhythms he smiles and enjoys himself like a child. The pianist, who uses his left hand as a double bass, is also a strange guy. Someone tells that you sound exclusively moved by your ear (one ear only moving ten fingers? But what kind of prodigy is this?). He doesn’t try or study the songs, but if you ask him for a song, he can play it with the precision of a jukebox. And while he plays, he beats his feet and always waves out of time: it remains a mystery how the song goes to time while he follows who knows what other internal rhythm. From 20 April 1994, several barrels of red wine have passed through the burning uvula of the singer Francesco, and black and white keys under Carlo’s fingers, and calluses and chopsticks in Stefano’s hands. Yet, the legend of the Metronomes continues to amaze us, make us laugh and beat our feet under the table. Franco Ceci Colpis

Trátame bien

AUDIOPHILE VINYL - LIMITED EDITION WITH FILE MASTER HD   "Trátame bien"  is a record that captures the mix of emotions with which I wanted to explore the complexity of human relationships, with others and with ourselves. Each topic reflects a sense of vulnerability, the need to be understood and respected. With a fresh and authentic sound, the album plays with various genres, merging modern soundtracks with lyrics that address themes of love, disaffection and self-acceptance. "Trátame bien" is a cry about the importance of respect. It invites you to reflect on how we relate to others, but especially how we relate to ourselves. With sincere and direct words, this act of personal fulfillment is born in which self-understanding and self-respect become the priority. It is also an invitation to break with the standards of beauty imposed by society, a reminder to embrace our authenticity. Yolanda Gó mezzo Carreño

Trátame bien

AUDIOPHILE VINYL - LIMITED EDITION WITH FILE MASTER HD   "Trátame bien"  is a record that captures the mix of emotions with which I wanted to explore the complexity of human relationships, with others and with ourselves. Each topic reflects a sense of vulnerability, the need to be understood and respected. With a fresh and authentic sound, the album plays with various genres, merging modern soundtracks with lyrics that address themes of love, disaffection and self-acceptance. "Trátame bien" is a cry about the importance of respect. It invites you to reflect on how we relate to others, but especially how we relate to ourselves. With sincere and direct words, this act of personal fulfillment is born in which self-understanding and self-respect become the priority. It is also an invitation to break with the standards of beauty imposed by society, a reminder to embrace our authenticity. Yolanda Gó mezzo Carreño

Trátame bien

AUDIOPHILE VINYL - LIMITED EDITION WITH FILE MASTER HD   "Trátame bien"  is a record that captures the mix of emotions with which I wanted to explore the complexity of human relationships, with others and with ourselves. Each topic reflects a sense of vulnerability, the need to be understood and respected. With a fresh and authentic sound, the album plays with various genres, merging modern soundtracks with lyrics that address themes of love, disaffection and self-acceptance. "Trátame bien" is a cry about the importance of respect. It invites you to reflect on how we relate to others, but especially how we relate to ourselves. With sincere and direct words, this act of personal fulfillment is born in which self-understanding and self-respect become the priority. It is also an invitation to break with the standards of beauty imposed by society, a reminder to embrace our authenticity. Yolanda Gó mezzo Carreño

Trátame bien

AUDIOPHILE VINYL - LIMITED EDITION WITH FILE MASTER HD   "Trátame bien"  is a record that captures the mix of emotions with which I wanted to explore the complexity of human relationships, with others and with ourselves. Each topic reflects a sense of vulnerability, the need to be understood and respected. With a fresh and authentic sound, the album plays with various genres, merging modern soundtracks with lyrics that address themes of love, disaffection and self-acceptance. "Trátame bien" is a cry about the importance of respect. It invites you to reflect on how we relate to others, but especially how we relate to ourselves. With sincere and direct words, this act of personal fulfillment is born in which self-understanding and self-respect become the priority. It is also an invitation to break with the standards of beauty imposed by society, a reminder to embrace our authenticity. Yolanda Gó mezzo Carreño

Trátame bien

AUDIOPHILE VINYL - LIMITED EDITION WITH FILE MASTER HD   "Trátame bien"  is a record that captures the mix of emotions with which I wanted to explore the complexity of human relationships, with others and with ourselves. Each topic reflects a sense of vulnerability, the need to be understood and respected. With a fresh and authentic sound, the album plays with various genres, merging modern soundtracks with lyrics that address themes of love, disaffection and self-acceptance. "Trátame bien" is a cry about the importance of respect. It invites you to reflect on how we relate to others, but especially how we relate to ourselves. With sincere and direct words, this act of personal fulfillment is born in which self-understanding and self-respect become the priority. It is also an invitation to break with the standards of beauty imposed by society, a reminder to embrace our authenticity. Yolanda Gó mezzo Carreño